MASSYS, QuentinFlemish Northern Renaissance Painter, ca.1465-1530 | |||
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Portrait of a Canon le Portrait d~un Canon ID de tableau:: 33534 Voir la galerie dans Suède |
Portrait of a Canon le Portrait d~un Canon mk86 c.1510-1520 Oil on wood 60x73cm Vaduz mk86 c.1510-1520 Pétrole sur le bois 60x73cm Vaduz mk86 c.1510-1520 Oil_on_wood 60x73cm Vaduz |
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Ecce Homo ID de tableau:: 43551 Voir la galerie dans Suède |
Ecce Homo c. 1515 Oil on panel 160 x 120 cm c._1515_ Oil_on_panel 160_x_120_cm |
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Christ on the Cross with Donors ID de tableau:: 51047 Voir la galerie dans Suède |
Christ on the Cross with Donors c. 1520 Oil on wood, 156 x 92,7 cm c._1520_Oil_on_wood, _156_x_92,7_cm |
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St Mary Magdalene ID de tableau:: 63974 Voir la galerie dans Suède |
St Mary Magdalene 45 x 29 cm Koninklijk Museum voor Schone Kunsten, Antwerp Quentin Massys was the first major artist of the rising Antwerp school in the 16th century. In his refined Saint Mary Magdalene, the artist conveys his ideal of feminine beauty in masterly fashion. , Artist: MASSYS, Quentin , St Mary Magdalene , 1451-1500 , Flemish , painting , religious 45_x_29_cm_Koninklijk_Museum_voor_Schone_Kunsten,_Antwerp_Quentin_Massys_was_the_first_major_artist_of_the_rising_Antwerp_school_in_the_16th_century._In_his_refined_Saint_Mary_Magdalene,_the_artist_conveys_his_ideal_of_feminine_beauty_in_masterly_fashion._,__Artist:_MASSYS,_Quentin_,___St_Mary_Magdalene_,___1451-1500_,___Flemish_,___painting_,___religious |
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Virgin with the Child ID de tableau:: 63978 Voir la galerie dans Suède |
Virgin with the Child 22,5 cm Rockox House, Antwerp Around 1500, when the port of Antwerp began to emerge as the capital of north European trade, it also became a cultural melting pot. All manner of artists flocked into the town on the Scheldt. One of these was Quentin Massys from Louvain, who registered as a painter in the St. Lucas Guild in 1491, and is regarded as the founder of the Antwerp School which was soon to topple the hegemony of the School of Bruges. He remained faithful to the Flemish tradition, although the sfumato in the background of some of his landscapes shows that he was familiar with the work of Leonardo da Vinci. He is usually regarded as a painter of monumental works, and rightly so, but he also painted smaller scale scenes with figures. This is hardly surprising, since his technique had its sources in miniature paintings. The Holy Virgin with the Child Jesus, a small tondo, bears witness to the attention the master paid to sensitive, finely detailed drawing to express the tender movement of the form, and the subtle use of colour to convey the essence of a variety of textures. , Artist: MASSYS, Quentin , Virgin with the Child , 1451-1500 , Flemish Form 22,5_cm_Rockox_House,_Antwerp_Around_1500,_when_the_port_of_Antwerp_began_to_emerge_as_the_capital_of_north_European_trade,_it_also_became_a_cultural_melting_pot._All_manner_of_artists_flocked_into_the_town_on_the_Scheldt._One_of_these_was_Quentin_Massys_from_Louvain,_who_registered_as_a_painter_in_the_St._Lucas_Guild_in_1491,_and_is_regarded_as_the_founder_of_the_Antwerp_School_which_was_soon_to_topple_the_hegemony_of_the_School_of_Bruges._He_remained_faithful_to_the_Flemish_tradition,_although_the_sfumato_in_the_background_of_some_of_his_landscapes_shows_that_he_was_familiar_with_the_work_of_Leonardo_da_Vinci._He_is_usually_regarded_as_a_painter_of_monumental_works,_and_rightly_so,_but_he_also_painted_smaller_scale_scenes_with_figures._This_is_hardly_surprising,_since_his_technique_had_its_sources_in_miniature_paintings._The_Holy_Virgin_with_the_Child_Jesus,_a_small_tondo,_bears_witness_to_the_attention_the_master_paid_to_sensitive,_finely_detailed_drawing_to_express_the_tender_movement_of_the_form,_and_the_subtle_use_of_colour_to_convey_the_essence_of_a_variety_of_textures._,__Artist:_MASSYS,_Quentin_,___Virgin_with_the_Child_,___1451-1500_,___Flemish_Form |
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| MASSYS, Quentin | ||||||||||
| Flemish Northern Renaissance Painter, ca.1465-1530 | ||||||||||
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